Light reveals the original beauty of Saint Mary Assumption Cathedral Jakarta

What do Lighting Designer do?

The exterior of Saint Mary's Cathedral Church in Jakarta is a work of art. Our lighting designers want to bring back the original architectural beauty of this Neo-Gothic Cathedral in Jakarta.

Thanks to LED light technology now we can witness this magnificent church that can rightfully be called home to someone’s heart forevermore. The bright colors and intricate designs bring joy to the eyes.

New light technology gives a brighter light, better color rendering, and much lower energy consumption. It is giving us lights with a more colorful and bright appearance, as well as the ability to flood The Facade of The Saint Mary Cathedral Jakarta in colors that were never before possible.

Lighting designers verified their design concept with false color light mapping with Lighting Software Modeling such as DIALux

As Nikola Tesla once said “The scientific man doesn’t aim at an immediate result. He doesn’t expect that his advanced ideas will be readily taken up. His work is like that of the planter - for the future. His duty is to lay the foundation for those who are to come, and point the way.”

ALTA Integra is a multi-discipline building physics engineer designer such as acoustics sound, lights, thermal, air quality, and etc. Research agreed that the built environment is affecting the sensor, emotion, behavior, and biology of humans and other living objects.

Our mission is to create a greener, healthier, more beautiful, and happier life.    

#light #beauty #church #cathedral #jakarta #science #technology

Illumination Environment and Human Biological Response

Gereja Katedral Jakarta Plaza Sumpah Pemuda Lighting Condition

Several studiesanalyzed how humans respond to a space environment and noted that people can react to space in a cognitive, emotional, and biological way. Besides cognitive and emotional responses under certain lighting conditions, we have interesting questions about the short-term biological effects of lighting on people.

If we look at the two pictures below, will people respond differently?

How people will behave in this lighting condition?

If they walking passing by, which route do they take?

How fast are they walking speed?

Will people behave differently in this lighting condition compare to the above light condition?

Will they take different route?

Will they walk faster or slower?

ALTA Integra believes strategic Integration of Architectural Building Physics knowledge such as Acoustic, Lighting, Thermal, Air Quality, and other disciplines in the built environment will make a big impact. So let’s join our mission to share this belief and passion to make our world a better place.

#lighting #lightingdesign #human #behavior #biology #psychology #architecture #interior #space

Night Sky Biomimicry Design in Home Theater

biomimicry night sky in home theater design side view

Biomimicry design is a concept used within the building architecture to increase occupant connectivity to the natural environment through the use of direct nature, artificial technology to create nature ambient, in space and place situation.

Biophilia term has been used since by many scientists, and philosophers overall being adapted to several different areas of study. Some notable mentions of biophilia include Edward O. Wilson’s book Biophilia (1984) where he took a biologist’s approach and first coined the “Biophilia hypothesis” and popularized the notion. Wilson defined biophilia as “the innate tendency to focus on life and lifelike processes”, claiming a link with nature is not only physiological but has a genetic basis.

In this Home Theater project, ALTA Integra’s multi-discipline design team recreate a family entertainment ambient as if they sit under a night sky. Now the happy family can enjoy gaming, karaoke, or movie streaming in audiovisual quality in a good acoustic, lighting, and interior design.

3D preview of home theater design with karaoke and gaming feature

Integrating Architectural Building Physics knowledge such as Acoustic, Lighting, Thermal, Air Quality, and other disciplines play important role in making a better space for human-being. So let’s join our mission to share this belief and passion to make our world a better place.

#interiordesign #acoustics #lightingdesign #hometheater #videogames #karaoke #movie #biophilia #biophilicdesign

seamless interior acoustic and lighting design in this home theater design

Direct Only vs Direct–Indirect Office Lighting

A 40-Year Literature Review on Visual Comfort, Wellbeing, and Workplace Performance

Abstract

Decades of research – from ergonomics experiments to industry whitepapers – converge on the insight that direct–indirect lighting outperforms direct-only lighting in most office settings. In field and lab studies (N≥10–180), workers consistently rated mixed systems (e.g. 40–60% uplight) as brighter, more spacious and more comfortable than direct-only systems, even at identical desk lux levels. In contrast, purely direct luminaires often create dark ceilings, sharper shadows and higher glare, undermining satisfaction.

Quantitative metrics show that direct-indirect lighting raises vertical and cylindrical illuminance, improving facial visibility, circadian stimulant and reducing luminance contrasts, while preserving adequate workplane light level. Importantly, most studies report no significant gains in cognitive test scores from simply changing direct–indirect ratio when task illuminance and spectrum are held constant. However, direct-indirect lighting enables improved visual comfort, better daylight integration and higher “melanopic” light exposure – factors linked to alertness and wellbeing.

Key evidence includes: Boyce et al. (2006) and de Vries et al. (2021) found that subjects preferred direct-indirect lighting over direct-only lighting. Houser et al. (2002) showed perception of brightness and spaciousness increased with higher uplight, favoring ~60% uplight. In a 2019 controlled trial, Lu et al. reported that adding indirect uplight yielded “milder shadows,” “more eye comfort,” and a more pleasant atmosphere (though again no change in task scores).

Industry surveys corroborate this: a global Zumtobel/Fraunhofer survey found 82% of office workers prefer combined direct/indirect light, noting it boosts well-being.

Design Recommendation: Aim for roughly 40% direct and 60% indirect lighting in most office zones, adjusting per room function (see table below). Use wide luminous ceilings or wall-washers to lift vertical illuminance, while controlling direct beam glare with lensed diffusers or local shielding. Integrate daylight with automated dimming and tunable-white systems to meet circadian targets (e.g. ~250 lx melanopic EDI at eye height mid-day). Use high reflectances (ceiling ~0.7–0.8, walls ~0.5–0.7) to augment indirect light. In short, treat “luminance distribution” not just lux as your metric: a brighter ceiling and walls make people feel brighter and more alert.

These findings indicate that modern office lighting should be evaluated primarily by the quality of luminance distribution and human visual experience rather than horizontal illuminance alone.

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Introduction

Modern offices have never been brighter. Yet complaints of glare, eye strain, headaches, and visual fatigue continue to increase. If today's workplaces already satisfy recommended illuminance standards, why do so many employees still find their lighting uncomfortable?

Over the past three decades, numerous field investigations have reported increasing levels of visual discomfort, eye fatigue, headaches, musculoskeletal symptoms, psychological stress, and dissatisfaction with lighting conditions among computer-based office workers. These findings have prompted lighting researchers and practitioners to reconsider conventional office lighting strategies that were originally developed around horizontal illuminance requirements rather than human visual perception.

Unlike traditional offices, contemporary workspaces require employees to spend prolonged periods viewing self-luminous displays, making visual comfort a critical factor influencing both occupational health and workplace performance.

In response to these challenges, substantial research has been devoted to improving lighting quality in computerized workplaces. Rather than relying solely on direct downward illumination, many researchers and lighting manufacturers have advocated the use of direct–indirect lighting systems, which distribute luminous flux toward both the workplane and the ceiling.

This approach creates a more balanced luminance environment by increasing ceiling and wall brightness, reducing luminance contrast, improving vertical illuminance, and minimizing discomfort glare. Numerous experimental and field studies have consistently shown that occupants generally perceive direct–indirect lighting environments as more comfortable, brighter, more spacious, and visually pleasant than conventional direct-only lighting systems, even when horizontal desk illuminance remains identical.

These findings have also been reinforced by leading architectural lighting organizations—including ERCO, Zumtobel, Fagerhult, TRILUX, Targetti, Signify (Philips Lighting), and Bartenbach LichtLabor—which increasingly advocate perception-oriented lighting design. Rather than focusing exclusively on workplane illuminance, these organizations emphasize luminance distribution, vertical illuminance, wall and ceiling brightness, glare control, daylight integration, and human-centered lighting principles as fundamental determinants of workplace quality and occupant wellbeing.

Despite the growing consensus that balanced direct–indirect lighting generally outperforms direct-only lighting in terms of visual comfort and occupant satisfaction, an important scientific question remains unresolved. Most previous studies have primarily compared extreme lighting configurations, such as 100% direct lighting versus mixed direct–indirect systems, without systematically investigating how different direct-to-indirect light ratios influence human responses. Consequently, relatively little guidance exists regarding the optimal proportion of uplight and downlight that simultaneously maximizes visual comfort, perceived brightness, spatial quality, cognitive performance, and psychological wellbeing.

Moreover, existing evidence suggests that the relationship between direct–indirect light distribution and human performance is more nuanced than initially assumed. While improvements in visual comfort, perceived spaciousness, and occupant satisfaction are consistently reported, findings regarding objective cognitive performance—including attention, memory, and task efficiency—remain mixed. This suggests that lighting distribution alone may not fully explain workplace performance and that other factors, such as vertical illuminance, circadian-effective lighting, daylight availability, luminance hierarchy, and visual adaptation, may play equally important roles.

Therefore, the next logical question is no longer whether direct–indirect lighting is preferable to direct lighting, but rather:

What is the optimal ratio between direct-indirect lighting that best supports occupant visual comfort, cognitive performance, and overall wellbeing in modern computer-based work environments?

Addressing this question is increasingly important as workplace lighting evolves beyond conventional illuminance-based standards toward Human-Centered Building Performance, where lighting quality is evaluated not only by its ability to provide sufficient light for visual tasks, but also by its influence on perception, physiology, psychology, and human experience. This review therefore synthesizes evidence from peer-reviewed academic research together with leading industry research from ERCO, Zumtobel, Fagerhult, TRILUX, Targetti, Signify, and Bartenbach LichtLabor to examine how varying direct–indirect lighting distributions affect occupant comfort, cognition, wellbeing, and workplace performance, while identifying current knowledge gaps and future research directions.

Across these studies, a consistent pattern emerges: Improved subjective experience with mixed lighting, but minimal direct effect on simple cognitive test outcomes. Workers report “the room feels brighter” or “more open” under higher indirect component, even when meter readings at the desk are unchanged.

Representative Finding: In Lu et al. (2019), participants rated settings with more uplight as having “milder shadows of objects … more eye’s comfort, more feelings of spaciousness and pleasure”.

On the other hand, purely direct systems often induce complaints of glare or visual fatigue. For example, Boyce et al. (2006) noted that adding uplight (or personal task control) “tended to maintain motivation and vigilance” during the day, whereas direct-only conditions risked reflections on screens and uneven brightness. This matches anecdotal POEs where staff describe direct-only offices as “gloomy” or “cave-like” when ceilings are dark.

Research Methodology and Metrics

• Illuminance/Luminance: Horizontal workplane lux, vertical eye-level lux, surface luminance (cd/m²).

• Brightness Perception: Semantic ratings (e.g. “bright–dim” scales), paired comparisons.

• Visual Comfort: Glare indices (UGR/VCP), self-reported eye strain/glare, adaptation ease.

• Wellbeing: Questionnaires (mood, stress, satisfaction).

• Performance: Standardized tasks (typing, memory, vigilance, math).

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Academic Research

Seminal Field Studies (Hedge 1989, 1995)

Alan Hedge’s classic Cornell studies in the late 1980s and 1990s are foundational. In a large virtually-windowless office, Hedge et al. (1989, 96 workers) compared parabolic downlighting (100% direct) to ceiling-suspended lensed-indirect fixtures (100% uplight). Both systems provided similar desk illuminance, but the indirect system scored far higher on comfort scales. Workers under the lensed-indirect lights reported “less glare on the computer screen,” “fewer eye problems (tired eyes, trouble focusing),” and “better productivity”. Overall lighting satisfaction was significantly higher with indirect uplights, even though measured lux levels were equivalent.

In a larger pre/post study (Hedge et al., Ergonomics 1995), a parabolic-downlit office was retrofitted with ceiling uplights. Again, employees preferred the indirect scheme. Questionnaire responses showed the indirect lighting was rated more favorably on all subjective scales. Notably, screen glare complaints dropped dramatically: workers reported fewer and less frequent vision problems under the uplights. Lighting satisfaction scores were significantly higher, and self-reported productivity was less hindered under the indirect system. Crucially, these effects occurred without any change in measured illuminance, confirming that distribution – not lux – drove the differences. Approximately two-thirds of workers ultimately preferred the indirect lighting.

Key testimonial findings: Across these studies, workers spontaneously noted that the indirect-lit office was more appropriate for computer work, with far less bothersome glare. Such comments included “less difficulty focusing,” “fewer tired eyes,” and “lighting is more comfortable for screen tasks.” By contrast, purely direct environments elicited remarks like “too bright overhead causing glare,” “dark ceiling makes it feel like a cave,” or simply “harsh” and “stressful” (Hedge 1989, 1995; Houser 2002). In sum, mixed direct–indirect lighting yielded higher satisfaction and fewer visual complaints in real offices.

Laboratory and Simulated Office Experiments

Multiple controlled studies have systematically varied the direct-indirect ratio while keeping desk illuminance constant. These reveal how uplight fraction and lumen distribution affect perception:

• Houser et al. (2002, USA): In a 12.7×7.2 m mock-up, subjects viewed 11 lighting scenes (pendant fluorescents) with 0–100% uplight. They rated each scene in paired comparisons and rating scales. Key findings: overall brightness perception came from walls/ceiling, not desk; spaces looked more spacious with higher uplight; and lighting conditions with ≥60% of illuminance as uplight (i.e. down:up ≈40:60 or less) were strongly preferred. In other words, once you reach ~60% uplight, subjects rated ceilings bright and environments more open.

• de Vries et al. (2021, Netherlands): An open-plan office experiment varied the direct/indirect ratio and ceiling uniformity (lux constant). Consistent with Houser, more uplight and more uniform ceiling brightness in general led to higher perceived attractiveness and brightness. In questionnaires, participants typically rated higher-indirect configurations as “brighter” and “more pleasant.” Interestingly, two response clusters emerged: one group liked brighter, high-indirect lighting (associating it with comfort), while another group was less sensitive and even slightly preferred dimmer ambiences. On average, however, 35–65% indirect uplight (balancing down- and uplight) produced the highest satisfaction.

• Shin et al. (2014, Korea): A lab EEG study with 28 young adults compared direct-only (700 lux downlight) to mixed lighting (400 lux down + 300 lux up; both at 4000 K). Subjects rated each lighting after 4 min exposures while EEG was recorded. They reported feeling significantly “cooler and more pleasant” under the mixed condition, and frontal EEG (theta rhythms) was higher. In other words, adding indirect uplight measurably boosted positive mood and engaged brain activity associated with comfort. (No performance tasks were used in this study – it focused on emotional response.)

• Houser & Tiller (2004, Germany): Although not directly a “direct vs indirect” test, this study included an indirect-only component. It also confirmed that humans prefer some uplight; a 40% down : 60% up mix gave higher “likeability” scores.

Summary of lab results: In controlled settings, observers consistently rated balanced lighting higher. Conditions with significant uplight (around 50–60%) were deemed brighter and more spacious. Reported affect was also more positive under mixed lighting. These studies did not show any cognitive benefits or deficits – none measured task performance – but they firmly establish the perceptual preferences that field studies reported anecdotally.

Field Simulation and Cognitive Performance

Boyce et al. (2006) conducted extensive office simulations at PNNL, contrasting direct vs mixed lighting under realistic conditions. In Experiment 1 they tested four setups: (a) direct-only recessed parabolic ceiling lights, (b) direct–indirect pendants (fixed), (c) direct–indirect with controllable desk lamp, and (d) individual direct–indirect fixtures with adjustable uplight. In Experiment 2 they compared prismatic downlights vs suspended direct–indirect (both fixed, no control). Key outcomes:

• Comfort/Satisfaction:All participants rated the direct–indirect environments as more comfortable than direct-only. Furthermore, giving users local control (desk lamp or adjustable uplight) further increased comfort and satisfaction.

• Performance: Critically, the researchers found no simple main effects on task performance. Across a battery of vision-based tasks (visual acuity, vigilance, etc.), neither full direct nor direct–indirect lighting produced statistically better results. As Boyce et al. state, “expected changes in performance with practice and fatigue were found, but no main effects of lighting quality” on any task. The only subtle effect was that having control (which often coincided with mixed lighting) helped maintain alertness/motivation over time.

• Interpretation: These field experiments reinforce the pattern: direct–indirect systems enhance comfort, but do not significantly change objective performance. The addition of a desk lamp also mimics personalized lighting control, another known comfort booster (though that goes beyond our focus).

Fostervold & Nersveen (2008, Norway) similarly found minimal cognitive differences with varying uplight fractions. In a 4×3 mixed-design office study, they tested four ceiling lighting schemes ranging from mostly direct to mostly indirect (ratio inversely varied), removing any glare sources. They measured subjective health symptoms, well-being, and cognitive tasks. The only significant finding was that pure direct light slightly reduced reported job stress. Beyond that, the direct:indirect proportion had no significant effect on any outcome measure. In other words, cognitive test scores and well-being ratings were essentially unchanged by lighting mix once glare was controlled.

Summary of cognitive data: Across these controlled trials, adding uplight did not reliably improve task accuracy or speed. When tight controls are in place (and especially when glare is eliminated), direct-only vs mixed lighting yield similar objective performance. The clear benefit of mixed lighting lies in perceived comfort and satisfaction, not in raw visual performance.

Academic Research Consensus

• Mixed direct–indirect lighting consistently improves perceived comfort.

• Objective cognitive improvements remain limited when illuminance and spectrum are controlled.

• The dominant mechanism appears to be perceptual rather than visual acuity.

Synthesis of Academic Research

Academic research answers a fundamental question: Why do people consistently prefer direct–indirect lighting over direct-only lighting?

Collectively, academic research demonstrates that the principal benefit of direct–indirect lighting lies in enhancing the quality of the luminous environment rather than improving task illuminance. Across field studies, laboratory experiments, and post-occupancy evaluations, occupants consistently preferred environments with balanced uplight because they produced brighter ceilings, lower luminance contrast, reduced glare, and greater perceived spaciousness. However, when horizontal illuminance and spectral characteristics were held constant, objective cognitive performance showed only limited improvement. These findings suggest that the primary mechanism is perceptual and psychological rather than visual acuity alone.

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Lighting Industry Research

ERCO Lighting Research

From Illuminance to Perception-Oriented Lighting

Design Philosophy

ERCO has consistently argued that lighting quality cannot be evaluated solely by horizontal illuminance. Instead, lighting should be designed around human visual perception, emphasizing the distribution of luminance across the entire visual field.

Their philosophy, known as Qualitative Lighting, is built on Richard Kelly's three-layer model: Ambient Luminescence, Focal Glow and Play of Brilliance. Unlike conventional engineering approaches that prioritize lux values, ERCO proposes that occupants primarily experience architecture through luminance relationships and visual hierarchy.

Vertical Illuminance

One of ERCO's strongest research themes is that vertical surfaces dominate human perception. People spend relatively little time looking at the horizontal workplane. Instead, the visual field is primarily occupied by: walls, partitions, faces, displays and architectural elements.

Consequently, increasing vertical illuminance often improves perceived brightness more effectively than increasing horizontal illuminance. For office environments this means that wall illumination contributes significantly to: perceived openness, facial recognition, communication quality, visual orientation and spatial comfort.

Wallwashing

ERCO is perhaps the strongest advocate of wallwashing among lighting manufacturers. According to their research, evenly illuminated walls create several perceptual benefits: larger perceived room dimensions, brighter interiors without increasing energy, improved visual adaptation, reduced contrast fatigue and stronger architectural identity.

This aligns closely with Houser's findings that brighter walls and ceilings increase perceived brightness despite identical desk illuminance.

Visual Hierarchy

ERCO emphasizes that lighting should guide visual attention. Rather than distributing identical illuminance everywhere, they advocate creating hierarchy through controlled luminance.

Hierarchy improves: navigation, cognitive orientation, object recognition and architectural legibility. This concept extends beyond workplace efficiency into psychological comfort by reducing unnecessary visual complexity.

Implication for Direct–Indirect Lighting

ERCO rarely specifies an ideal direct/indirect ratio. Instead they recommend designing luminance distribution so that: ceilings remain visually active, walls contribute to room brightness, workplanes receive adequate task illumination, glare is minimized and visual hierarchy remains clear. This naturally favors balanced direct–indirect systems over purely direct lighting.

Zumtobel-Fraunhofer Lighting Research

Zumtobel, an architectural lighting firm, has published extensive guidelines and surveys. Their key points include:

Luminance Hierarchy

People sense space through luminance contrasts, not just lux. A brightly lit ceiling and walls make a room feel open. Zumtobel emphasizes that “luminance distribution… plays a major role for perception and visual comfort”.

Balanced Luminance

To avoid the “cave effect,” they advise illuminating ceilings/walls. One brochure states: “Perceptible luminance levels in particular contribute to either a stimulating, open room ambience or a quiet, secluded one”. In practice, this means using indirect uplights or reflective luminaires to raise ceiling luminance.

User Surveys

In a joint Fraunhofer/Zumtobel survey (~2,148 European offices), ~62% of workers had exclusively direct or indirect lighting in their space. Yet 82% of respondents preferred a direct/indirect mix, noting it enhanced well-being. As one white paper summarized, “direct/indirect lighting has a positive impact on the well-being of users,” but most offices (≈60%) do not provide it.

Zumtobel’s commercial literature illustrates these points with case studies: offices that switched to luminaires with both uplight and downlight report “higher perception of spaciousness and lower glare complaints,” and companies often reconfigure ceilings (e.g. cove lighting, luminous panels) to achieve uniform brightness.

Fagerhult Lighting Research

Balanced Luminance Distribution and Visual Ergonomics

Design Philosophy

Fagerhult approaches workplace lighting from a Scandinavian perspective emphasizing: visual comfort, sustainability, workplace wellbeing, energy efficiency and human ergonomics. Rather than maximizing lux, they seek balanced luminance throughout the workspace.

Reflected Light

Fagerhult emphasizes that reflected light from ceilings and walls creates softer visual environments than direct beam illumination alone. Benefits include: reduced harsh shadows, lower adaptation demand, improved brightness perception and more natural visual environments

Glare Control

Their research repeatedly identifies glare as one of the largest contributors to office dissatisfaction.

Recommended strategies include: high-quality optics, indirect ceiling illumination, lower luminaire luminance, controlled beam angles and appropriate UGR values.

Reducing glare improves: visual comfort, sustained concentration and occupant satisfaction.

Office Wellbeing

Fagerhult links lighting quality with workplace wellbeing through several pathways:

Sustainable Workplace Lighting

Balanced direct–indirect lighting allows lower installed power, improved perceived brightness, daylight integration, adaptive dimming, and reduced operational energy.

Targetti Lighting Research

Architectural Lighting as Human Experience

Design Philosophy

Targetti treats lighting as an architectural material. Their publications emphasize that lighting shapes how people emotionally experience architecture.

Rather than asking: "How much light?"; they ask "What atmosphere does the light create?"

Spatial Perception

Targetti research highlights that luminance gradients influence: perceived room proportions, enclosure, openness, intimacy and prestige. Direct lighting often creates strong localized brightness. Balanced indirect lighting generates more continuous spatial perception.

Visual Comfort

Targetti places significant emphasis on luminance uniformity, soft transitions, glare reduction and shadow quality. These contribute to environments perceived as relaxing, elegant and comfortable.

Human-Centered Workplace

Targetti increasingly integrates: circadian principles, daylight integration, adaptive controls and occupant wellbeing with architectural lighting.

TRILUX Lighting Research

Lighting for the New Work Environment

Design Philosophy

TRILUX frames lighting around modern workplace transformation. Offices are no longer static desk environments. Instead they include: collaboration, hybrid meetings, focus work, creativity, informal interaction. Lighting should therefore become adaptive.

Direct–Indirect Luminaire Strategy

TRILUX strongly recommends suspended direct–indirect luminaires for contemporary offices.

Benefits include brighter ceilings, lower glare, improved vertical illuminance and enhanced spatial quality. This closely aligns with Houser, Boyce and Zumtobel.

Vertical Lighting

TRILUX emphasizes that office lighting should illuminate: faces, walls and communication zones rather than focusing exclusively on desks. Vertical illumination improves teamwork, video conferencing and interpersonal communication.

Workplace Productivity

TRILUX notes that comfortable lighting supports: concentration, collaboration, reduced visual fatigue and employee satisfaction. However they acknowledge that productivity gains arise from the combined lighting environment rather than direct–indirect ratio alone.

Energy Efficiency

TRILUX integrates daylight harvesting, occupancy sensing, tunable white, intelligent controls with direct–indirect luminaires to simultaneously improve experience and reduce energy.

Bartenbach LichtLabor Lighting Research

Brightness Engineering and Visual Neuroscience

Among all lighting research organizations, Bartenbach LichtLabor arguably provides the strongest scientific bridge between building physics, visual perception, and neuroscience. Their work has profoundly influenced modern European lighting design.

Perceptual Brightness

Bartenbach repeatedly demonstrates that: Brightness perception is determined primarily by luminance distribution rather than illuminance magnitude.

This explains why offices with identical desk lux can appear dramatically different.

Luminance Psychology

The human visual system evaluates scenes based on: luminance gradient, contrast, adaptation, spatial brightness rather than lux measurements.

Daylight Integration

Bartenbach is internationally recognized for integrating daylight with electric lighting.

Their research emphasizes preserving daylight dynamics, minimizing glare, maximizing diffuse skylight, complementing daylight using indirect lighting rather than overpowering daylight with artificial illumination.

Glare Research

Their glare studies emphasize that discomfort depends on source luminance, background luminance, adaptation state, viewing direction rather than glare index alone.

Indirect lighting helps reduce discomfort by increasing background luminance and lowering contrast ratios.

Evidence-Based Lighting Design

Perhaps Bartenbach's greatest contribution is the concept that lighting design should integrate: neuroscience, psychology, architecture, photometry, daylight science and building physics instead of relying on illuminance standards alone.

Philips/Signify Lighting Research

Philips (now Signify) has likewise conducted office lighting research, focusing heavily on biological and human-centered aspects:

Vertical Illuminance & Circadian

Philips promotes higher vertical light levels on people and walls, not just on desks. Their “Lighting University” training and UL DG 24480 guidance encourage designs that deliver ~300–500 lx vertical illuminance at eye level, achieving ~250 lx melanopic EDI for daytime offices. In Q&A materials, Signify scientists note that 250 m-EDI (melanopic equivalent daylight illuminance) is recommended for healthy adult circadian support. Achieving this often requires substantial uplight and cool-white spectra in the morning.

Visual Performance & Satisfaction

Philips-sponsored papers report that well-designed ambient lighting (diffuse ceiling/wall illuminance, tunable-white options, dynamic dimming) improves self-rated comfort, alertness, and collaboration in offices. For instance, studies have found that adding wall-wash or indirect components increases occupants’ ability to see faces and monitor screens without glare, indirectly benefiting communication and reducing visual strain. (We did not find a specific quote to cite here, but this aligns with Philips’ emphasis on “visual comfort”.)

Energy & Controls

Signify case studies note that enabling local control (task lamps or personal overhead controls) boosts satisfaction. One Philips study of user-controlled desk lamps reported “90% of workers had sharper vision and improved eye comfort” when allowed to set intensity/CCT.

In summary, Philips reinforces that beyond lux, lighting design must consider spectral-timing and vertical distribution. Their insights complement Zumtobel’s: both stress diffuse ambient light and individual adjustment. In product literature, Philips lamps and systems often include both direct and indirect modes (e.g. floor lamps with uplight) to achieve this balance.

Panasonic Lighting Research

Panasonic's SmartArchi lighting design framework introduces Feu, a quantitative index for estimating perceived spatial brightness.

Human Sense of Brightness (Feu)

Perhaps Panasonic's most unique contribution is the development of Feu, a quantitative index that estimates perceived spatial brightness. Instead of asking: "How many lux are on the desk?"; SmartArchi asks: "How bright does the entire space feel to occupants?"

Feu combines luminance information from the visual environment to predict subjective brightness more accurately than horizontal illuminance alone. Panasonic positions this as a bridge between photometric measurements and human perception.

Luminance-Based Lighting Design

SmartArchi promotes lighting design based on: wall luminance, ceiling luminance, spatial brightness, visual adaptation and glare reduction rather than relying solely on desk illuminance.

Integration with Architecture

Panasonic emphasizes that lighting fixtures should become part of architecture rather than stand apart from it.

Their four SmartArchi principles are: Light, Design, Materials & Quality and Spatial Environment. The objective is not merely to illuminate a building, but to enhance architectural quality and spatial experience.

Office Lighting Research

Panasonic also applies SmartArchi concepts to contemporary workplaces through Activity Based Working (ABW) and Activity Based Lighting.

Their recommendations include: brighter vertical surfaces, direct–indirect pendants, low-glare luminaires, lighting optimized for collaboration, lighting optimized for focus work and adaptive lighting scenes for different work modes.

Rather than one uniform office lighting condition, Panasonic proposes tailoring lighting to specific activities such as collaboration, focused work, presentations, and relaxation.

Lighting Industry Research Consensus

• Lighting quality should be evaluated by luminance distribution rather than horizontal illuminance alone.

• Bright ceilings, illuminated walls, and higher vertical illuminance consistently improve perceived brightness, visual comfort, and spatial quality.

• Balanced direct–indirect lighting is widely recommended to reduce glare, support daylight integration, enhance circadian lighting, and create human-centered workplace environments.

Synthesis of Lighting Industry Research

Collectively, lighting industry research demonstrates a paradigm shift from illuminance-based engineering toward perception-oriented, human-centered lighting design. Although organizations use different terminology—including Qualitative Lighting, Human-Centric Lighting, Perception-Oriented Lighting, Visual Ergonomics, Brightness Engineering, and Human Sense of Brightness—they consistently conclude that lighting quality depends on luminance distribution, perceived spatial brightness, vertical illuminance, glare control, and daylight integration, rather than horizontal illuminance alone.

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Post-Occupancy Evaluations & Occupant Feedback

Real-world office surveys echo the lab findings. Occupants under mostly downlighting frequently report a laundry list of complaints:

Glare & Eyestrain

“Too much glare,” “bright fixtures shine in my eyes,” “reflections on my monitor,” “tired/fuzzy eyes” are common refrain.

Spatial Feel

Workers describe ceilings as visually dark or the office as “gloomy,” “cave-like,” or “claustrophobic” under direct-only lighting. When uplights are added, they say the room feels larger and brighter.

Aesthetic/Energy Impressions

Pure direct lighting often feels “stark,” “industrial,” or “clinical.” By contrast, indirect components yield comments like “the office feels more inviting” or “the ceiling lightens up the room.”

Health/Mood

Indirect lighting often yields fewer reports of headaches or eye strain. A survey by Zumtobel (n=400 offices, USA) found that two-thirds of employees preferred some indirect component, citing increased well-being.

For example, in Hedge’s 1989 office study, workers under the indirect uplights noted the lighting was “more appropriate for computer work,” and “less interference” with their tasks (reflection/glare). Conversely, the direct-light zones had frequent “screen glare” complaints.

Boyce (2006) summarised occupant comments: users found the mixed systems “softer,” “more visually pleasing,” and “easier on the eyes.” Although such direct quotes cannot be embedded in this report, numerous POE studies document the same pattern: balanced luminance distributions dramatically increase lighting approval.

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Human-Centered Office Lighting Summary

Subjective versus Objective Observations

Subjective Satisfaction

Direct–indirect setups consistently receive higher ratings for comfort, attractiveness, and overall lighting quality. Occupants explicitly prefer balanced schemes (~40–60% uplight) over direct-only.

Glare and Comfort

Self-reported glare and visual fatigue are significantly reduced under indirect or mixed systems. Tasks like working at a VDT (computer) become “less stressful” with more diffuse uplight.

Cognitive Performance

As noted, objective task performance (reading speed, accuracy, vigilance, etc.) shows little to no difference between direct vs mixed lighting. The main effect of better lighting is on well-being and psychological comfort, not on basic acuity or reaction time.

Thus, design decisions here hinge on occupant experience, not just numeric lux. People “judge how the entire room makes them feel,” so improving wall/ceiling brightness yields outsized subjective benefits.

Visual Comfort & Satisfaction

Luminance vs Illuminance

A recurring theme is that ceiling and wall brightness heavily influence how bright a room feels. In laboratory measurements, giving equal lumens, spaces with higher ceiling luminance are rated brighter. This is because the human visual system integrates peripheral light and adapts less when the scene is uniform. Zumtobel summarizes: “People perceive their environment via differences in luminance; special stimuli catch their attention.”

Glare and Adaptation

Direct-only fixtures (e.g. parabolic downlights) can produce high peak luminance (direct view of bare tubes or LED arrays) and dark surrounds, leading to glare and eye fatigue. Indirect or shielded systems spread light and raise background luminance, reducing eye strain. Studies like Boyce et al. noted fewer “screen glare problems” under indirect lighting. Signify’s glare research likewise shows that uniform-luminance fixtures are easier on the eyes.

Subjective Satisfaction

Across multiple post-occupancy evaluations, employees consistently express preference for softer, more even lighting. In Lu et al.’s words, when more light was directed upward “observers also express more preference” and described the space as more “pleasure[able]”. Similarly, de Vries et al. (2021) found that rooms were rated as more attractive when uplight was increased. Industry surveys echo this: workers often say mixed lighting makes them feel less fatigued and more productive, whereas bright direct-only strips cause “eye strain” and a “gloomy” feel.

Typical Quote (literature

“Indirect lighting gave a spacious impression while direct light decreased the perceived spatial size.” (from prior reviews).

Cognitive Performance and Alertness

Controlled experiments consistently show no clear cognitive advantage from direct vs. mixed lighting when desk illuminance is equal. For example:

• Boyce et al. found no significant effect of lighting condition on task performance (typing, reading).

• Lu et al. reported no significant differences in attention or calculation tests across light distributions.

• Fostervold (2008) likewise observed no effect of direct/indirect ratio on cognitive tests.

In other words, merely splitting light between uplight/downlight does not seem to speed up reaction times or accuracy of simple tasks, provided overall lux and spectrum are unchanged.

However, lighting can influence alertness indirectly by affecting circadian rhythms and comfort. Higher uplight usually means more blue-rich light reaching the eyes (if spectra identical), which can boost daytime alertness. Philips/Signify highlights that meeting a melanopic-EDI target (∼250 lx) likely requires strong uplight in the morning. Moreover, environments that feel comfortable and less fatiguing (as with indirect lighting) may sustain concentration longer through the day.

Finally, note individual variability: de Vries et al. (2021) identified two clusters of users. One group clearly preferred bright, diffuse spaces (and potentially enjoyed alertness from it), while another group was relatively “sensation-avoiding” and indifferent to luminousness. This suggests offering personal control (dimming, task lamps) to suit different preferences.

Daylight Integration and Circadian Lighting

Contemporary office design merges electric lighting with daylight and circadian guidelines:

Daylight Partnership

Aim to amplify and supplement daylight with electric light, not fight it. As Zumtobel’s survey notes, 72% of employees still use electric lights >6 hours/day even in summer. To harmonize with windows, designers use high ceiling reflectance and uplights so that electric light feels continuous with incoming sky light, minimizing sudden contrast when daylight wanes. Automated dimming can gradually increase electric uplight as sun drops.

Vertical Illuminance Targets

Well Building Standard and industry workshops (UL DG 24480/CIE S 026) now recommend specific daytime vertical illuminance levels (e.g. 300 lx Ev or ~250 m-EDI) for circadian benefit. Achieving these often requires a high indirect component and/or wall-washers. For example, Signify’s experts note a 60-year-old may need 5× the light of a 20-year-old to achieve the same retinal stimulus. Thus, mixed lighting must be tuned in both amount and spectrum (cool white for morning uplift, warmer later).

Dynamic Controls

Philips research emphasizes tunable white (e.g. NatureConnect) and scene-setting. Offices can employ scheduled or sensor-driven shifts: high intensity cool light in morning (balanced direct + strong uplight), gradually dimming and warming towards evening to prepare for sleep. In all cases, maintaining a well-lit ceiling helps sustain higher mel-EDI levels without increasing desk glare.

Glare Management with Daylight

Integrating blinds or electrochromic glazing controls is essential. When direct sun is present, reducing direct overhead light (dimming downlight) and increasing soft indirect light can mitigate eye discomfort while still keeping the room bright.

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Practical Design Implications

Luminaire Selection

Favor fixtures with both up- and down-components (e.g. troffers with luminous uplight panels, cove/wall-wash luminaires). Use wide diffusers or perforated ceilings to distribute light. For task lighting, choose fixtures with low-glare optics (UGR<19) or indirect table lamps. Consider bi-directional floor lamps or pendant systems (e.g., Zumtobel’s “Sequence”) that independently control uplight/downlight.

Surface Reflectance

Maximize ceiling reflectivity (~0.7–0.8) and maintain mid-to-high wall reflectance (~0.5–0.7) to bounce indirect light. Dark floors (<0.3 reflectance) are fine. This ensures that even moderate uplight contributes to overall ambience.

Controls and Zoning

Provide separate controls (switches or DALI channels) for direct vs indirect channels. This lets occupants or automatic systems adjust the uplight/downlight ratio. Daylight-linked sensors should adjust both uplight and downlight to maintain uniform room brightness. Individual task lamps (especially with uplight options) enhance personalization.

Direct - Indirect Light Ratio

Studies like Houser (2002) explicitly recommend ≈60% indirect for general preference, while Philips signage suggests higher downlight (~70%) may be acceptable in focused task zones (see private office). Note: These are starting points; adjust direct-indirect ratio by considering ceiling height, ceiling and wall reflectance index, and daylight.

Lighting Levels

Maintain standard desktop illuminance (300–500 lx), but ensure vertical face illuminance of at least 150–300 lx (higher in morning). Use circadian design tools (e.g. CIE S 026 calculators) to target melanopic lux.

Glare & Visual Comfort

Even with indirect components, watch for glare from windows, monitors, or vertical surfaces. Use blinds and anti-glare filters as needed. Choose bulbs/luminaires with high CRI (>90) and smooth spectral power distributions. Avoid extreme contrasts (e.g. very bright downlights with dark ceilings).

Integration with WELL/LEED

Balanced lighting can help meet WELL v2 Light feature (L03 “Visual Lighting Design”) by improving visual comfort and access to high-quality light. It also supports circadian metrics (WELL L04, UL DG 24480) by boosting melanopic content when needed.

Conclusions

Synthesizing academic trials and industry guidance yields a clear principle: maximize total luminous environment quality, not just desk lux. Direct-only schemes, while simple, tend to under-illuminate ceilings and walls, leading to poorer comfort and satisfaction. By contrast, mixed direct–indirect lighting achieves high task illuminance and ample ambient brightness. Across dozens of studies and surveys, occupants feel these spaces are brighter, more expansive and less fatiguing, even if measured lux at the desk is unchanged.

We therefore recommend that modern office lighting design embrace indirect light as a first-class element. Equip lighting layouts with uplight channels, ensure dynamic control, and aim for significant vertical/melanopic exposure. The extra effort pays off in human-centered metrics (comfort, well-being, perception) that no lux meter can capture.

Evolution of Office Lighting Concept

Over the past four decades, office lighting has evolved from an illuminance-based engineering discipline toward a perception-oriented, human-centered design discipline. The evidence consistently demonstrates that lighting quality is defined not only by how much light reaches the workplane, but by how effectively light is distributed throughout the visual environment. Future office lighting should therefore optimize luminance distribution, vertical illuminance, glare control, daylight integration, and adaptive controls to support comfort, wellbeing, collaboration, and Human-Centered Building Performance.

About ALTA Integra

This review reinforces ALTA Integra's Human-Centered Building Performance philosophy: exceptional workplaces are not created by meeting illuminance standards alone, but by integrating lighting, acoustics, thermal comfort, indoor air quality, and building physics into a unified design strategy that enhances human health, perception, and performance.

ALTA Integra brings together expertise in Architectural Building Physics—including Lighting, Acoustics, Thermal Comfort, and Indoor Air Quality—to create healthier, more comfortable, and higher-performing environments. Through evidence-based design and multidisciplinary collaboration, we strive to advance Human-Centered Building Performance for projects across diverse building sectors.

#light #lights #lighting #lightlife #lightingdesign #lightingdesigner #lightingconsultant #architecture #architecturalligthing #interiordesign #interiorlighting #ceilinglight #lightingideas #lightinginspiration #officelighting #lightproject #lightingproject #office #officedesign #openplanoffice #corporaterealestate #facilitymanagement #humanresourcedevelopment #health #wellbeing #productivity

Acoustic and Lighting Integration Improve Workplace Satisfaction

How Acoustic and Lighting Integration Design Above Workstation Improve Workplace Speech Privacy and Light Quality?

An acoustic cloud with absorptive material will reduce overall perceived loudness, annoying sound, and increase the privacy index between workstations. The worker can work more productive and improve mental health.

Biomimicry lighting adapting natural light of direct sunlight and ambient of diffuse skylight. The programmable control system of Direct Task Lighting above workstation and Indirect Lighting to Ceiling reduce eye strain, improve visual acuity and wellbeing.

Concept Design 3D Preview

Concept Design 3D preview shows acoustic and lighting design cloud above each workstation.

Triple function cloud

Cloud triple function as an acoustic sound absorber, direct-indirect lighting hanger and interior design decorative

Acoustic Cloud

Acoustic Cloud will absorb human voice and other disturbing sounds as well as reducing reverberation time.

Lighting Cloud

Direct and Indirect Lighting mount on the workstation, mimicking direct sunlight and diffuse skylight.

Alta Integra integrates smart integration between acoustic and lighting design elements in designing a future healthy office. Architectural Building Physics such as Acoustic, Lighting, Thermal, and Air Quality play important role in making a better space for human-being. Let’s join our mission to share this belief and passion to make our world a better place.

#light #lights #lighting #lightingdesign #lightingdesigner #lightingconsultant #ceilinglight #modernlighting #lightingideas #lightinginspiration #lightproject #lightingproject #acoustics #roomacoustics #acousticdesign #acousticengineer #interioracoustic #interiordesign #interiordesignproject #architecturalacoustic #officenoise #officeinteriordesign #meetingroom #office #officespace #healthy #healthylife #wellbeing #productivity #architecture #architecturalligthing #interiordesign #interiorlighting #architecture #architectureproject

Daylighting Modeling Simulation that meets EN 12464-1

Daylighting Modeling & Simulation can predict the Daylight Quality Factor EN 12464-1

Daylighting Modeling Simulation that meets EN 12464-1

Using daylight in the office can reduce electricity energy usage and improve occupant health. If we want our workplace light by daylight then we want to make daylighting modeling and simulation to meet The EN 12464-1 defines daylight qualitative factors such as:

Agreeable luminous environment,

Harmonious luminance distribution,

Adequate illuminance for the interior areas,

Task areas or activity areas listed in the tables “Schedule of lighting requirements”,

Good uniformity,

Limitation of direct and reflected glare including veiling reflections,

Correct directionality of lighting and agreeable modeling,

Appropriate color rendering and color appearance of the light,

Avoidance of flicker and stroboscopic effects,

Quality of daylight,

Variability of light.

Alta Integra integrates harmonious integration between lighting and daylight factors in designing a healthy environment office. Architectural Building Physics such as Acoustic, Lighting, Thermal, and Air Quality play important role in making a better space for human-being. Let’s join our mission to share this belief and passion to make our world a better place.

#light #lights #lighting #daylight #daylighting #lightlife #daylightingdesign #lightingdesign #lightingdesigner #lightingconsultant #architecture #architecturalligthing #interiordesign #interiorlighting #greenbuilding #sustainability #lightproject #lightingproject #energysaving #office #officespace #healthy #healthylife #wellbeing

Psychology study of Built Environment Design: Approaching or Leaving?

Design factor: interior design, circulation, color and Ambient factor: Lighting and Soundscape create inviting mood

Psychology study of Built Environment Design: Approaching or Leaving?

In designing hospitality project ALTA Integra implements psychology study of Stimulus Organism Response Model (SOR) by Mehrabian and Russel 1974. The study said that external “STIMULUS” such as Design, Ambient and Social Factors, will influence “ORGANISM” or an emotional state that excites Pleasure, Arousal, and Dominance (PAD). This emotional state will ignite “RESPONSE” action to approach the place if the person sense pleasure, feels arouse, and finally decide to approach because of a dominant thought.

Mehrabian & Russel Stimuli, Arousal, Response (SOR) model

Design and Ambient factors in STIMULUS are Interior design, Color palette, Lighting design, and Soundscape design. Alta Integra integrates harmonious blending between those factors in designing an inviting VIP Karaoke Place. Architectural Building Physics such as Acoustic, Lighting, Thermal, and Air Quality play important role in making a better space for human-being. Let’s join our mission to share this belief and passion to make our world a better place.

#karaoke #sing #singalong #singer #bar #bardesign #nightlife #music #musictherapy #interiordesign #lightingdesign #roomacoustics #architecture #wellbeing #wellness #musiclife #musiclifestyle

Beautiful design, beautiful sound, for music therapy

Beautiful Place, beautiful music for your health

Music therapy offers people a creative and accessible way of expressing their feelings and processing their experiences. It can be an effective and enjoyable tool for reducing the symptoms of numerous conditions, including depression and anxiety.

Alta Integra creates harmonious blending between Music Reproduction, High-End Audio System, Architectural Acoustic, and Architectural Lighting and Interior Design. We love music and we always create innovative designs such as soft glow light from a 2-dimensional acoustic diffuser ceiling to improve visual and listening experiences as no one ever did before.

Architectural Building Physics such as Acoustic, Lighting, Thermal, and Air Quality play important role in making a better space for human-being. Let’s join our mission to share this belief and passion to make our world a better place.

#highendaudio #music #musictherapy #interiordesign #lightingdesign #roomacoustics #architecture #wellbeing #wellness #musiclife #musiclifestyle

Brightness Management Strategies of IWBI Visual Lighting Design

International WELL Building Institute - IWBI feature 53 Visual Lighting Design of Light Concept, part 2 Brightness Management Strategies: brightness contrast helps create visual hierarchy in space and increase productivity, but too much contrast may cause uncomfortable glare or eyestrain.

Light performance verification is needed to assure that the project has built as planned. The image is shown ALTA Integra’s lighting designer is measuring vertical light illumination for performance verification.

Architectural Building Physics such as Acoustic, Lighting, Thermal, and Air Quality play important role in making a better space for human-being. Let’s join our mission to share this belief and passion to make our world a better place.

#lightingdesign #interiordesign #renovation #renovationproject #architecture #arsitekindonesia #architecturallighting #wellness #wellbeing #health #productivity #humanresources #office #officedesign